rolling stones love you live remastered rar

The Stones' producer-manager Andrew Loog Oldham abandoned the original idea in response to this 'collective hysteria generated by the group, especially among teenagers, which threatened to degenerate into rioting', as Margotin and Guesdon describe. According to the music journalist Fred Bronson, 'the concert drove home the Stones' unpopularity with members of the ruling class.' As a consequence, popular music acts were subsequently banned from performing at the Hall. Several minutes into the show, however, the band's lead singer Mick Jagger was mobbed onstage by screaming girls from the audience, temporarily stopping the performance – the event was captured on film and featured in a documentary movie. The original plan for the recording was to capture the Stones live on 23 September 1966 at the Royal Albert Hall – their first concert in the United Kingdom in a year. Serene Dominic ( Phoenix New Times, 2020) Their Royal Albert Hall concert was halted after only two songs. In the '60s, the Stones didn't play concerts. A live album release was then planned for the end of 1966. The Stones' American record distributor, London Records, wanted to capitalise on the Stones' growing popularity by marketing a new album, but were several months behind the scheduled release of their next original album, Between the Buttons (1967). 'Just two and a half years since releasing their self-titled debut album, the Rolling Stones had gone from being 'England's newest hitmakers' to rock 'n' roll's most notorious bad boys', as the music journalist Jason Draper chronicles. According to the Stones historians Philippe Margotin and Jean-Michel Guesdon, the band's notoriety 'among the authorities and the establishment seems to have been inversely proportional to their popularity among young people'. Coupled with the music's commercial impact, the band's high-energy concerts during their North American tour in June and July proved highly successful with young people while alienating local police, who were tasked with controlling the often rebellious and physically exhausting crowds.

In 1966, the Rolling Stones' popularity increased dramatically with the success of their Aftermath LP and the singles ' Paint It, Black' and ' Have You Seen Your Mother, Baby, Standing in the Shadow?'. Got Live If You Want It! has been reissued twice by ABKCO Records, in 1986 on CD and in 2002 on SACD. Rare copies of the LP – pressed in limited quantities for the European market – became highly valued by record collectors. Critics of the album note the poor audibility of the band amid the audience noise, but appreciate its historical and documentary value as well as the intense, high-energy quality of the performances. The LP sold well, reaching the number six position on the American Billboard albums chart, although the Stones later disavowed the release.

The album takes its title from the Stones' 1965 UK-only live EP, whose own name had been inspired by the 1957 Slim Harpo recording 'I've Got Love If You Want It'. Instead, he selected ten concert recordings from other sources alongside two older studio tracks, which were overdubbed with crowd noise to give the impression of an entirely live album – all the tracks were credited on the original LP to the Royal Albert Hall performance. With its release, the label attempted to fill a marketing gap between the Stones' studio albums and capitalise on their popularity in the US market, which was heightened that year by a famously successful North American concert tour supporting their hit album Aftermath (1966).ĭiscouraged by the fan hysteria accompanying the band in concert at the time, their producer-manager Andrew Loog Oldham abandoned the original idea of having the album capture the Stones in a single live performance at London's Royal Albert Hall. It was released on 3 December 1966 by London Records in the United States. Got Live If You Want It! is an album of mostly live recordings by the English rock band the Rolling Stones.

Rolling stones love you live remastered rar